Side A is America’s Dream from 2019, a short, 7-song release from the Indianapolis-based Pat & the Pissers. It has a decidedly political resistance bent lyrically and a mix of classic hardcore punk musically. My top tracks are “Freaks,” which calls to mind the vibe of early 80’s Suicidal Tendencies and the super-short thrasher “So Thick.”

SOIL is Side B, released in 2022. Snotty and speedy punk, not a single track hits the 2 minute mark. My top track from SOIL is “Konner” which happens to be the longest song on the LP – it’s very reminiscent of the mid-80’s hardcore sound with tempo changes, a stellar bass line and a really good hook. I also really like the title track, “Soil,” which is lightning fast and the shortest track (clocking in at just over 50 seconds).

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Maness Brothers “God Bless the Maness Brothers” 2020. Romanus Records. Very limited edition (50 copies) glow-in-the-dark sand-filled vinyl. Heavy, heavy heavy blues from Missouri. God Bless is the two-piece siblings’ second LP (their first, self-titled, from 2017 is also on Romanus as is their 2012 EP Grief Factory; Maness Brothers were one of the first bands to release on the Romanus label). Jake and David are both pretty young (late 20’s/early 30’s) but they channel the spirit of old soul classic and gritty blues. That classic sound is infused with Jake’s boundless energy on his relentlessly crashing drums and David’s hard-driving guitar; they trade off on vocals. They also put on a hell of a show; we’ve seen them perform a few times, most recently in August of 2019 at Romanus Fest in Indianapolis (I’m actually not sure they’ve played out much since then beyond a handful of local Missouri shows, though I feel like maybe we caught a livestream in 2020 when that was still a “fun” pandemic thing to do). Here’s a couple of photos from that Romanus Fest set (if you squint you can see juke-joint rockers CATL in the background in the second picture).

Most of God Bless is fast, blues rock’n’roll and those are definitely my top tracks: “Pain,” “Tupelo,” “Drive Me” and the high energy gospel meets wild slide guitar “Lord Thank You Very Much” but they can also slow it down big-time and go spiritual like on “Dip My Sins (In the River).”

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Comfort to Me is hard, fast, balls-to-the-wall fury, full of snarl and speed-metal shredding. I can feel the sweat and swirl of the pit even as I sit alone at my computer. My top tracks are “Freaks to the Front” (I’m already anticipating the call-to-arms at the next Amyl show we go to), the angriest song about road tripping ever: “Hertz,” “Capital” (some serious Motorhead vibes on this one), the 200mph “Don’t Need a Cunt (Like You to Love Me)” and “Laughing.”

I’m not sure if all of the vinyl editions include it, but our gatefold limited edition release includes a 16-page “CTM Zine” full of notes, band photos, and an…interesting self-portrait by singer Amy Taylor. There’s even a couple of  recipes, like one for Rock n Roll/Bachelor “Spag Bol” (spaghetti for one…Eat until ya munt ya dirty dog).

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Our vinyl edition came with a two-sided poster: one side with the album cover and the other with the liner notes by author and musician Willy Vlautin.

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Injecting Strangers “Patience, Child” 2014/2021, Romanus Records (Crypt Collection), very limited edition (50 copies), splatter colored vinyl. Patience, Child, the debut album from Cincinnati’s indie pop band Injecting Strangers, came out in 2014 as a digital-only release. It’s danceable, super-fun indie pop, weird and hilarious. I had never heard of the band but with my goal to have at least one variant of every Romanus record, I jumped at the chance to have a copy, the label’s first from their new Crypt Collection. My favorite tracks are the campy, psycho-surf “Dr. Jekyll & Mr. Hyde (In Space),” “Lucky” (with the catchy chorus “I’m a lucky little fucker”), the creepy yet bouncy “Haunted Heavens” (which will fit nicely on a Halloween playlist; Cincinnati’s City Beat reviewer has this to say about the track: “It’s like Michael Jackson’s “Thriller” filtered through Queen, Public Image Limited and The Nightmare Before Christmas and then re-filtered through a modern Indie Rock mindset”) and the 70′s-ish glam hard rocker “Shooter Upper.”

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