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To my mind, Jane’s Addiction made grunge (which of course was already developing in the Northwest by ‘88) possible on a large-scale, commercially viable level. On a personal level it was the first “alt-metal” band that I would proudly listen to (cranked to 11!) because at least in our town, genre crossovers: punk/goth/new wave vs. metal was just not cool. (Until grunge, and then it was) On a critical level there is this from Allmusic: “Although Jane’s Addiction’s 1987 self-titled debut was an intriguing release (few alternative bands at the time had the courage to mix modern rock, prog rock, and heavy metal together), it paled in comparison to their now classic major-label release one year later, Nothing’s Shocking. Produced by Dave Jerden and Jane’s Addiction vocalist Perry Farrell, the album was more focused and packed more of a sonic wallop than its predecessor; the fiery performances often create an amazing sense that it could all fall apart at any second, creating a fantastic musical tension. Such tracks as “Up the Beach,” “Ocean Size,” and one of alt-rock’s greatest anthems, “Mountain Song,” contain the spaciousness created by the band’s two biggest influences, Led Zeppelin and the Cure. Elsewhere, “Ted, Just Admit It…” (about serial killer Ted Bundy) and the haunting yet gorgeous “Summertime Rolls” stretched to epic proportions, making great use of changing moods and dynamics (something most alt-rock bands of the time were oblivious to). An incredibly consistent and challenging album, other highlights included the rockers “Had a Dad” and “Pigs in Zen,” the horn-driven “Idiots Rule,” the jazz instrumental “Thank You Boys,” and the up-tempo “Standing in the Shower…Thinking.” Like most great bands, it was not a single member whose contribution was greater: Perry Farrell’s unique voice and lyrics, Dave Navarro’s guitar riffs and wailing leads, Eric Avery’s sturdy basslines, and one of rock’s greatest and most powerful drummers, Stephen Perkins. Nothing’s Shocking is a must-have for lovers of cutting-edge, influential, and timeless hard rock.”

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Ruthlessly driving with noise and fury, this live record captures the frenetic funk-metal energy of Jane’s Addiction with great tracks like “Pigs in Zen” (which also appears on their major label release Nothing’s Shocking), their band anthem “Jane Says” (also on Nothing’s Shocking), the excellent Rolling Stones’ cover “Sympathy” that shoved the 60′s classic into the post-punk era, and a nod to their Velvet Underground influence with “Rock & Roll.”

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